Classics Explained: Stravinsky - The Rite Of Spring

Classics Explained: Stravinsky - The Rite Of Spring

Jeremy Siepmann

Альбом
109 песен
Длительность: 2 часов, 36 минут

Треклист

Introduction, Background And Perspective

Introduction, Background And Perspective

Jeremy Siepmann

5:05
A Gentle, Other-Worldly Start; No Sign Of The Violence To Come

A Gentle, Other-Worldly Start; No Sign Of The Violence To Come

Jeremy Siepmann

1:34
Music As Mosaic; The Composer As Constructor

Music As Mosaic; The Composer As Constructor

Jeremy Siepmann

1:58
Two Functions Of Metrical Change: Going With The Flow...

Two Functions Of Metrical Change: Going With The Flow...

Jeremy Siepmann

1:24
...Or Disrupting It: A Sample Of Metrical Violence

...Or Disrupting It: A Sample Of Metrical Violence

Jeremy Siepmann

1:03
A Stealthy Entry (Clarinets)

A Stealthy Entry (Clarinets)

Jeremy Siepmann

0:35
Detour: The Destabilising Properties Of Chromaticism

Detour: The Destabilising Properties Of Chromaticism

Jeremy Siepmann

4:05
On Melodies, Themes And Motifs

On Melodies, Themes And Motifs

Jeremy Siepmann

1:04
The New Cor Anglais Motif Dominates

The New Cor Anglais Motif Dominates

Jeremy Siepmann

0:28
The Oboe'S Rhythmic Motif Takes Over

The Oboe'S Rhythmic Motif Takes Over

Jeremy Siepmann

0:26
A Primeval Awakening

A Primeval Awakening

Jeremy Siepmann

0:38
A Panoply Of Stravinskyan Birdsong

A Panoply Of Stravinskyan Birdsong

Jeremy Siepmann

1:00
A Matter Of Mode

A Matter Of Mode

Jeremy Siepmann

1:16
Cue To Introduction

Cue To Introduction

Jeremy Siepmann

0:09
Introduction (Complete)

Introduction (Complete)

Jeremy Siepmann

3:39
Part I: The Adoration Of The Earth: The Augurs Of Spring / Dances Of The Young Girls: The 'Rite Of Spring' Chord

Part I: The Adoration Of The Earth: The Augurs Of Spring / Dances Of The Young Girls: The 'Rite Of Spring' Chord

Jeremy Siepmann

0:42
The Great Arrival: Bitonality

The Great Arrival: Bitonality

Jeremy Siepmann

1:36
Putting The Boot In: A Metrical Mugging

Putting The Boot In: A Metrical Mugging

Jeremy Siepmann

1:46
The Prevalence Of Ostinatos, And A Righting Of Wrongs

The Prevalence Of Ostinatos, And A Righting Of Wrongs

Jeremy Siepmann

1:52
Metre Restores (Briefly) But The 'Savage Motif' Returns

Metre Restores (Briefly) But The 'Savage Motif' Returns

Jeremy Siepmann

0:51
The Musical Savages Routed

The Musical Savages Routed

Jeremy Siepmann

1:20
An Important New Arrival (The 'Horn Motif')

An Important New Arrival (The 'Horn Motif')

Jeremy Siepmann

1:06
Another New Theme From The Horns

Another New Theme From The Horns

Jeremy Siepmann

0:49
A Crowded Conclusion

A Crowded Conclusion

Jeremy Siepmann

1:45
A Real Study In Contrasts

A Real Study In Contrasts

Jeremy Siepmann

1:32
Panic And Pandemonium As Timpani Open Fire

Panic And Pandemonium As Timpani Open Fire

Jeremy Siepmann

1:11
Climactic Melee Haunted By 'Fear Motif'

Climactic Melee Haunted By 'Fear Motif'

Jeremy Siepmann

1:36
Suddenly Another World, As Flutes Hover Over Harmonic Vapour...

Suddenly Another World, As Flutes Hover Over Harmonic Vapour...

Jeremy Siepmann

1:00
...But A Transient One: New Movement Arises From The Deep

...But A Transient One: New Movement Arises From The Deep

Jeremy Siepmann

0:52
'Dragging Feet Motif' Over Ostinato Violins, Twice Interrupted

'Dragging Feet Motif' Over Ostinato Violins, Twice Interrupted

Jeremy Siepmann

0:44
'Marching Motif' Developed Further By Flutes And Horns

'Marching Motif' Developed Further By Flutes And Horns

Jeremy Siepmann

0:46
A Trilling Commentary From Piccolo And High Clarinet

A Trilling Commentary From Piccolo And High Clarinet

Jeremy Siepmann

0:26
'Marching Motif' Theme Goes Polymetric In Huge Crescendo

'Marching Motif' Theme Goes Polymetric In Huge Crescendo

Jeremy Siepmann

1:18
An Unexpected Change Of Pace As Tempo Doubles

An Unexpected Change Of Pace As Tempo Doubles

Jeremy Siepmann

0:54
And An Unexpected Reversion, To A Quiet Close

And An Unexpected Reversion, To A Quiet Close

Jeremy Siepmann

0:42
Violent Onslaught From Brass And Timpani Launches The 'Rival Tribes'

Violent Onslaught From Brass And Timpani Launches The 'Rival Tribes'

Jeremy Siepmann

0:26
Rival Tribes, Rival Motifs

Rival Tribes, Rival Motifs

Jeremy Siepmann

0:23
Sensational Violence Comes Close To Chaos

Sensational Violence Comes Close To Chaos

Jeremy Siepmann

0:39
Effects, Impressions And Alteration

Effects, Impressions And Alteration

Jeremy Siepmann

1:41
A Surprise Re-Entry And A Change Of Instrumental Clothing

A Surprise Re-Entry And A Change Of Instrumental Clothing

Jeremy Siepmann

0:56
A Thinning Of Texture, A New Idea, And A Rude Interruption

A Thinning Of Texture, A New Idea, And A Rude Interruption

Jeremy Siepmann

0:35
The New Idea Developed: A Minor Earthquake

The New Idea Developed: A Minor Earthquake

Jeremy Siepmann

0:42
The Use Of Tone Colour As An Agent Of Rhythm

The Use Of Tone Colour As An Agent Of Rhythm

Jeremy Siepmann

1:33
An Unusual Climax...

An Unusual Climax...

Jeremy Siepmann

1:32
...And A Sinister Transition

...And A Sinister Transition

Jeremy Siepmann

0:52
Across The Threshold Into An Instrumental Population Explosion

Across The Threshold Into An Instrumental Population Explosion

Jeremy Siepmann

1:30
A Sudden Silence And Then Another World

A Sudden Silence And Then Another World

Jeremy Siepmann

1:01
Catapulted Into The 'Dance Of The Earth'

Catapulted Into The 'Dance Of The Earth'

Jeremy Siepmann

0:39
Tiny Changes, Unyielding Ostinatos, Massive Tension

Tiny Changes, Unyielding Ostinatos, Massive Tension

Jeremy Siepmann

3:20
Cue To Part I Complete

Cue To Part I Complete

Jeremy Siepmann

0:08
Part I (Complete)

Part I (Complete)

Jeremy Siepmann

16:09
Again A Muted, Subtly Coloured Start

Again A Muted, Subtly Coloured Start

Jeremy Siepmann

1:10
Tone Colour As Atmosphere - The Strings' Motif

Tone Colour As Atmosphere - The Strings' Motif

Jeremy Siepmann

1:08
Four Solo Violas, Above Gently Rocking Strings

Four Solo Violas, Above Gently Rocking Strings

Jeremy Siepmann

0:24
A Pregnant Pause, And A New Motif In Muted Trumpets

A Pregnant Pause, And A New Motif In Muted Trumpets

Jeremy Siepmann

1:15
Motif From The Introduction Varied And Extended

Motif From The Introduction Varied And Extended

Jeremy Siepmann

1:29
New Motif, Heralded By Clarinets And Violins, Is Introduced By Alto Flute

New Motif, Heralded By Clarinets And Violins, Is Introduced By Alto Flute

Jeremy Siepmann

0:35
Variant Of Motif No. 2 Given Out By Two Clarinets

Variant Of Motif No. 2 Given Out By Two Clarinets

Jeremy Siepmann

0:45
Continued By Oboes And Bassoons; New Motif In Violins, Cellos And Bass Clarinet

Continued By Oboes And Bassoons; New Motif In Violins, Cellos And Bass Clarinet

Jeremy Siepmann

0:34
Main Motifs Yield To New Idea From Flutes

Main Motifs Yield To New Idea From Flutes

Jeremy Siepmann

0:39
All Change - Direction, Tone Colour, Metre - And Two New Ostinatos

All Change - Direction, Tone Colour, Metre - And Two New Ostinatos

Jeremy Siepmann

0:41
Motif No. 1 Returns In Horn, Then Passed To Flutes And Strings

Motif No. 1 Returns In Horn, Then Passed To Flutes And Strings

Jeremy Siepmann

0:47
Texture, Balance And Tone Colour Keep Changing

Texture, Balance And Tone Colour Keep Changing

Jeremy Siepmann

0:27
Instrumental Enrichment, New Counterpoint And A Bleat Of Alarm

Instrumental Enrichment, New Counterpoint And A Bleat Of Alarm

Jeremy Siepmann

0:41
New Derivative Of Motif No. 2, A Host Of New Sounds - And Again The Bleat

New Derivative Of Motif No. 2, A Host Of New Sounds - And Again The Bleat

Jeremy Siepmann

0:49
Into The Finishing Stretch, And We Know We'Re In For Something Big

Into The Finishing Stretch, And We Know We'Re In For Something Big

Jeremy Siepmann

0:45
Putting The Movement Back Together Again

Putting The Movement Back Together Again

Jeremy Siepmann

0:09
Mystic Circles Of The Young Girls (Complete)

Mystic Circles Of The Young Girls (Complete)

Jeremy Siepmann

8:17
On Into One Of The Most Sensational Movements Ever Written

On Into One Of The Most Sensational Movements Ever Written

Jeremy Siepmann

1:37
The Violence Is Almost Graphic. An Example Of Musical Terrorism

The Violence Is Almost Graphic. An Example Of Musical Terrorism

Jeremy Siepmann

0:36
Motif No. 2: A Terrible, Off-Beat Com-Pah From Strings, Horns And Oboes

Motif No. 2: A Terrible, Off-Beat Com-Pah From Strings, Horns And Oboes

Jeremy Siepmann

0:14
The Air Is Filled With The Fearsome Baying Of Wind And Violins

The Air Is Filled With The Fearsome Baying Of Wind And Violins

Jeremy Siepmann

0:21
A Variant Of Motif No. 2, But Now Descending

A Variant Of Motif No. 2, But Now Descending

Jeremy Siepmann

0:16
A Study In The Bruality Of Suspense - A Musical Mugging

A Study In The Bruality Of Suspense - A Musical Mugging

Jeremy Siepmann

4:13
The Middle Section Begins With A Massive But Unequal Confrontation

The Middle Section Begins With A Massive But Unequal Confrontation

Jeremy Siepmann

0:28
Against The Odds, The 'Descending Motif' Comes Out On Top

Against The Odds, The 'Descending Motif' Comes Out On Top

Jeremy Siepmann

0:24
In The Midst Of The Fray, A New 'Rising Motif' Emerges...

In The Midst Of The Fray, A New 'Rising Motif' Emerges...

Jeremy Siepmann

1:03
...And Undergoes A Typcially Stravinskyan Expansion And Compression

...And Undergoes A Typcially Stravinskyan Expansion And Compression

Jeremy Siepmann

1:05
A Much-Needed Breath Before The Movement Entire

A Much-Needed Breath Before The Movement Entire

Jeremy Siepmann

0:18
Glorification Of The Chosen One (Complete)

Glorification Of The Chosen One (Complete)

Jeremy Siepmann

1:46
The Next Movement Consists Of A Single, Chordal Motif, Three Times Varied

The Next Movement Consists Of A Single, Chordal Motif, Three Times Varied

Jeremy Siepmann

1:00
The Second Statement: Breaking The Metrical Flow

The Second Statement: Breaking The Metrical Flow

Jeremy Siepmann

2:14
At Last The Establishment Of A Clear And Steady Beat, But Will It Last?

At Last The Establishment Of A Clear And Steady Beat, But Will It Last?

Jeremy Siepmann

1:22
A Counterpoint Of Ostinatos Lends Continuity To Changing Time Signatures

A Counterpoint Of Ostinatos Lends Continuity To Changing Time Signatures

Jeremy Siepmann

0:43
Horns Introduce The First Real Motif, Destabilised By Multiple Metres

Horns Introduce The First Real Motif, Destabilised By Multiple Metres

Jeremy Siepmann

0:34
The Motif Disappears, Though The Background Ostinato Continues

The Motif Disappears, Though The Background Ostinato Continues

Jeremy Siepmann

0:33
A Change Of Mood, Then The Whole Orchestra Crashes In

A Change Of Mood, Then The Whole Orchestra Crashes In

Jeremy Siepmann

0:50
The Steady Pulse Gives Way To A Tossed Salad Of One-Bar Motifs

The Steady Pulse Gives Way To A Tossed Salad Of One-Bar Motifs

Jeremy Siepmann

0:44
Lately Abandoned, The Steady Pulse Returns, As Does The 'Trumpet Motif'

Lately Abandoned, The Steady Pulse Returns, As Does The 'Trumpet Motif'

Jeremy Siepmann

1:07
The Movement Ends With A Varied Reprise Of The Opening

The Movement Ends With A Varied Reprise Of The Opening

Jeremy Siepmann

0:16
Evocation Of The Ancestors (Complete) And Ritual Action Of The Ancestors (Complete)

Evocation Of The Ancestors (Complete) And Ritual Action Of The Ancestors (Complete)

Jeremy Siepmann

4:24
The Last Movement Is Based On Two Motifs, The First Most Motable For Its Rhythm

The Last Movement Is Based On Two Motifs, The First Most Motable For Its Rhythm

Jeremy Siepmann

0:21
The Second Motif Is Likewise Predominatly Rhythmical In Effect

The Second Motif Is Likewise Predominatly Rhythmical In Effect

Jeremy Siepmann

0:17
Two Variants: One A Rhythmic Simplification, The Other An Expansion

Two Variants: One A Rhythmic Simplification, The Other An Expansion

Jeremy Siepmann

0:21
A New Section, Again With Two Main Motifs, The First From Wind And Strings

A New Section, Again With Two Main Motifs, The First From Wind And Strings

Jeremy Siepmann

0:28
This Is Joined By Another Bried But Very Striking Motif From Muted Brass

This Is Joined By Another Bried But Very Striking Motif From Muted Brass

Jeremy Siepmann

0:21
Tension Dramatically Increased By A Violent Interruption From Timpani And Gong

Tension Dramatically Increased By A Violent Interruption From Timpani And Gong

Jeremy Siepmann

0:36
Motif No. 2 Is Passed From Bassoons To High Wind And Trumpets...

Motif No. 2 Is Passed From Bassoons To High Wind And Trumpets...

Jeremy Siepmann

0:35
...And Is Twice Interrupted By Horns

...And Is Twice Interrupted By Horns

Jeremy Siepmann

0:43
Motif No. 1 Erupts In Full Orchestra, Then All Hell Breaks Loose

Motif No. 1 Erupts In Full Orchestra, Then All Hell Breaks Loose

Jeremy Siepmann

0:49
New Ostinato, Over Implacable Repetitions Of Motif No. 1, Offset By Clarinets

New Ostinato, Over Implacable Repetitions Of Motif No. 1, Offset By Clarinets

Jeremy Siepmann

0:27
A New Section, Kick-Started By Percussion: Timpani, Bass Drum And Gong

A New Section, Kick-Started By Percussion: Timpani, Bass Drum And Gong

Jeremy Siepmann

1:12
Horns, Doubled By Strings, Introduce The Main Idea Of This New Section

Horns, Doubled By Strings, Introduce The Main Idea Of This New Section

Jeremy Siepmann

0:19
The Return Of The Movement'S Opening Section - Or So We May Think

The Return Of The Movement'S Opening Section - Or So We May Think

Jeremy Siepmann

0:55
Dramatic Compression Of Now-Familiar Material

Dramatic Compression Of Now-Familiar Material

Jeremy Siepmann

0:41
A Terrifying Cocktail Of Motifs Old And New Confounds Expectations...

A Terrifying Cocktail Of Motifs Old And New Confounds Expectations...

Jeremy Siepmann

1:01
...And Leads To The Coda, The Final Flourish Of The Whole Work

...And Leads To The Coda, The Final Flourish Of The Whole Work

Jeremy Siepmann

1:46
Cue To All Of Part Ii And End Of Cd

Cue To All Of Part Ii And End Of Cd

Jeremy Siepmann

0:12
Part Ii (Complete)

Part Ii (Complete)

Jeremy Siepmann

18:59