Introduction, Background And Perspective
Jeremy Siepmann
5:05
Classics Explained: Stravinsky - The Rite Of Spring
Треклист
A Gentle, Other-Worldly Start; No Sign Of The Violence To Come
Jeremy Siepmann
1:34
Music As Mosaic; The Composer As Constructor
Jeremy Siepmann
1:58
Two Functions Of Metrical Change: Going With The Flow...
Jeremy Siepmann
1:24
...Or Disrupting It: A Sample Of Metrical Violence
Jeremy Siepmann
1:03
A Stealthy Entry (Clarinets)
Jeremy Siepmann
0:35
Detour: The Destabilising Properties Of Chromaticism
Jeremy Siepmann
4:05
On Melodies, Themes And Motifs
Jeremy Siepmann
1:04
The New Cor Anglais Motif Dominates
Jeremy Siepmann
0:28
The Oboe'S Rhythmic Motif Takes Over
Jeremy Siepmann
0:26
A Primeval Awakening
Jeremy Siepmann
0:38
A Panoply Of Stravinskyan Birdsong
Jeremy Siepmann
1:00
A Matter Of Mode
Jeremy Siepmann
1:16
Cue To Introduction
Jeremy Siepmann
0:09
Introduction (Complete)
Jeremy Siepmann
3:39
Part I: The Adoration Of The Earth: The Augurs Of Spring / Dances Of The Young Girls: The 'Rite Of Spring' Chord
Jeremy Siepmann
0:42
The Great Arrival: Bitonality
Jeremy Siepmann
1:36
Putting The Boot In: A Metrical Mugging
Jeremy Siepmann
1:46
The Prevalence Of Ostinatos, And A Righting Of Wrongs
Jeremy Siepmann
1:52
Metre Restores (Briefly) But The 'Savage Motif' Returns
Jeremy Siepmann
0:51
The Musical Savages Routed
Jeremy Siepmann
1:20
An Important New Arrival (The 'Horn Motif')
Jeremy Siepmann
1:06
Another New Theme From The Horns
Jeremy Siepmann
0:49
A Crowded Conclusion
Jeremy Siepmann
1:45
A Real Study In Contrasts
Jeremy Siepmann
1:32
Panic And Pandemonium As Timpani Open Fire
Jeremy Siepmann
1:11
Climactic Melee Haunted By 'Fear Motif'
Jeremy Siepmann
1:36
Suddenly Another World, As Flutes Hover Over Harmonic Vapour...
Jeremy Siepmann
1:00
...But A Transient One: New Movement Arises From The Deep
Jeremy Siepmann
0:52
'Dragging Feet Motif' Over Ostinato Violins, Twice Interrupted
Jeremy Siepmann
0:44
'Marching Motif' Developed Further By Flutes And Horns
Jeremy Siepmann
0:46
A Trilling Commentary From Piccolo And High Clarinet
Jeremy Siepmann
0:26
'Marching Motif' Theme Goes Polymetric In Huge Crescendo
Jeremy Siepmann
1:18
An Unexpected Change Of Pace As Tempo Doubles
Jeremy Siepmann
0:54
And An Unexpected Reversion, To A Quiet Close
Jeremy Siepmann
0:42
Violent Onslaught From Brass And Timpani Launches The 'Rival Tribes'
Jeremy Siepmann
0:26
Rival Tribes, Rival Motifs
Jeremy Siepmann
0:23
Sensational Violence Comes Close To Chaos
Jeremy Siepmann
0:39
Effects, Impressions And Alteration
Jeremy Siepmann
1:41
A Surprise Re-Entry And A Change Of Instrumental Clothing
Jeremy Siepmann
0:56
A Thinning Of Texture, A New Idea, And A Rude Interruption
Jeremy Siepmann
0:35
The New Idea Developed: A Minor Earthquake
Jeremy Siepmann
0:42
The Use Of Tone Colour As An Agent Of Rhythm
Jeremy Siepmann
1:33
An Unusual Climax...
Jeremy Siepmann
1:32
...And A Sinister Transition
Jeremy Siepmann
0:52
Across The Threshold Into An Instrumental Population Explosion
Jeremy Siepmann
1:30
A Sudden Silence And Then Another World
Jeremy Siepmann
1:01
Catapulted Into The 'Dance Of The Earth'
Jeremy Siepmann
0:39
Tiny Changes, Unyielding Ostinatos, Massive Tension
Jeremy Siepmann
3:20
Cue To Part I Complete
Jeremy Siepmann
0:08
Part I (Complete)
Jeremy Siepmann
16:09
Again A Muted, Subtly Coloured Start
Jeremy Siepmann
1:10
Tone Colour As Atmosphere - The Strings' Motif
Jeremy Siepmann
1:08
Four Solo Violas, Above Gently Rocking Strings
Jeremy Siepmann
0:24
A Pregnant Pause, And A New Motif In Muted Trumpets
Jeremy Siepmann
1:15
Motif From The Introduction Varied And Extended
Jeremy Siepmann
1:29
New Motif, Heralded By Clarinets And Violins, Is Introduced By Alto Flute
Jeremy Siepmann
0:35
Variant Of Motif No. 2 Given Out By Two Clarinets
Jeremy Siepmann
0:45
Continued By Oboes And Bassoons; New Motif In Violins, Cellos And Bass Clarinet
Jeremy Siepmann
0:34
Main Motifs Yield To New Idea From Flutes
Jeremy Siepmann
0:39
All Change - Direction, Tone Colour, Metre - And Two New Ostinatos
Jeremy Siepmann
0:41
Motif No. 1 Returns In Horn, Then Passed To Flutes And Strings
Jeremy Siepmann
0:47
Texture, Balance And Tone Colour Keep Changing
Jeremy Siepmann
0:27
Instrumental Enrichment, New Counterpoint And A Bleat Of Alarm
Jeremy Siepmann
0:41
New Derivative Of Motif No. 2, A Host Of New Sounds - And Again The Bleat
Jeremy Siepmann
0:49
Into The Finishing Stretch, And We Know We'Re In For Something Big
Jeremy Siepmann
0:45
Putting The Movement Back Together Again
Jeremy Siepmann
0:09
Mystic Circles Of The Young Girls (Complete)
Jeremy Siepmann
8:17
On Into One Of The Most Sensational Movements Ever Written
Jeremy Siepmann
1:37
The Violence Is Almost Graphic. An Example Of Musical Terrorism
Jeremy Siepmann
0:36
Motif No. 2: A Terrible, Off-Beat Com-Pah From Strings, Horns And Oboes
Jeremy Siepmann
0:14
The Air Is Filled With The Fearsome Baying Of Wind And Violins
Jeremy Siepmann
0:21
A Variant Of Motif No. 2, But Now Descending
Jeremy Siepmann
0:16
A Study In The Bruality Of Suspense - A Musical Mugging
Jeremy Siepmann
4:13
The Middle Section Begins With A Massive But Unequal Confrontation
Jeremy Siepmann
0:28
Against The Odds, The 'Descending Motif' Comes Out On Top
Jeremy Siepmann
0:24
In The Midst Of The Fray, A New 'Rising Motif' Emerges...
Jeremy Siepmann
1:03
...And Undergoes A Typcially Stravinskyan Expansion And Compression
Jeremy Siepmann
1:05
A Much-Needed Breath Before The Movement Entire
Jeremy Siepmann
0:18
Glorification Of The Chosen One (Complete)
Jeremy Siepmann
1:46
The Next Movement Consists Of A Single, Chordal Motif, Three Times Varied
Jeremy Siepmann
1:00
The Second Statement: Breaking The Metrical Flow
Jeremy Siepmann
2:14
At Last The Establishment Of A Clear And Steady Beat, But Will It Last?
Jeremy Siepmann
1:22
A Counterpoint Of Ostinatos Lends Continuity To Changing Time Signatures
Jeremy Siepmann
0:43
Horns Introduce The First Real Motif, Destabilised By Multiple Metres
Jeremy Siepmann
0:34
The Motif Disappears, Though The Background Ostinato Continues
Jeremy Siepmann
0:33
A Change Of Mood, Then The Whole Orchestra Crashes In
Jeremy Siepmann
0:50
The Steady Pulse Gives Way To A Tossed Salad Of One-Bar Motifs
Jeremy Siepmann
0:44
Lately Abandoned, The Steady Pulse Returns, As Does The 'Trumpet Motif'
Jeremy Siepmann
1:07
The Movement Ends With A Varied Reprise Of The Opening
Jeremy Siepmann
0:16
Evocation Of The Ancestors (Complete) And Ritual Action Of The Ancestors (Complete)
Jeremy Siepmann
4:24
The Last Movement Is Based On Two Motifs, The First Most Motable For Its Rhythm
Jeremy Siepmann
0:21
The Second Motif Is Likewise Predominatly Rhythmical In Effect
Jeremy Siepmann
0:17
Two Variants: One A Rhythmic Simplification, The Other An Expansion
Jeremy Siepmann
0:21
A New Section, Again With Two Main Motifs, The First From Wind And Strings
Jeremy Siepmann
0:28
This Is Joined By Another Bried But Very Striking Motif From Muted Brass
Jeremy Siepmann
0:21
Tension Dramatically Increased By A Violent Interruption From Timpani And Gong
Jeremy Siepmann
0:36
Motif No. 2 Is Passed From Bassoons To High Wind And Trumpets...
Jeremy Siepmann
0:35
...And Is Twice Interrupted By Horns
Jeremy Siepmann
0:43
Motif No. 1 Erupts In Full Orchestra, Then All Hell Breaks Loose
Jeremy Siepmann
0:49
New Ostinato, Over Implacable Repetitions Of Motif No. 1, Offset By Clarinets
Jeremy Siepmann
0:27
A New Section, Kick-Started By Percussion: Timpani, Bass Drum And Gong
Jeremy Siepmann
1:12
Horns, Doubled By Strings, Introduce The Main Idea Of This New Section
Jeremy Siepmann
0:19
The Return Of The Movement'S Opening Section - Or So We May Think
Jeremy Siepmann
0:55
Dramatic Compression Of Now-Familiar Material
Jeremy Siepmann
0:41
A Terrifying Cocktail Of Motifs Old And New Confounds Expectations...
Jeremy Siepmann
1:01
...And Leads To The Coda, The Final Flourish Of The Whole Work
Jeremy Siepmann
1:46
Cue To All Of Part Ii And End Of Cd
Jeremy Siepmann
0:12
Part Ii (Complete)
Jeremy Siepmann
18:59